Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish PoetryBucknell University Press, 1997 - 257 Seiten This book takes a probing look at how Spanish poets of the twentieth century read objects of visual art, write poems that utilize the discursive strategy known as ekphrasis, and how, in turn, they are read by those texts. As a result of their reading practices, the artistic works "read" by the poets are inscribed in the poets' own texts, and in a variety of ways. This analysis sheds light on the poets' own distinctive stance toward many primary issues, such as textuality, representation, language, power, ideology, literature, and art. |
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Seite 14
... verbal arts . Many critics have noted the presence , through its evocation , of visual art in the verbal context , beginning with the earliest examples hearkening from antiquity , and including the oft - cited example of Homer's ...
... verbal arts . Many critics have noted the presence , through its evocation , of visual art in the verbal context , beginning with the earliest examples hearkening from antiquity , and including the oft - cited example of Homer's ...
Seite 16
... verbal text to visual art has been in usage only since the fourth century ( Ibid . ) . Previously , ekphrasis in purely rhetorical terms had referred solely to description , in its most general usage . Ber- gmann further comments that ...
... verbal text to visual art has been in usage only since the fourth century ( Ibid . ) . Previously , ekphrasis in purely rhetorical terms had referred solely to description , in its most general usage . Ber- gmann further comments that ...
Seite 28
... verbal in nature . This focus cannot remain solely on the verbal text , which must permit the visual referent to be conjured up by the verbal discourse . There is a dialogue in two different languages between these texts of differing ...
... verbal in nature . This focus cannot remain solely on the verbal text , which must permit the visual referent to be conjured up by the verbal discourse . There is a dialogue in two different languages between these texts of differing ...
Inhalt
Acknowledgments | 11 |
How Manuel Machado Did Not Get the Picture | 33 |
Rafael Alberti and Pablo | 53 |
Urheberrecht | |
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Getting the Picture: The Ekphrastic Principle in Twentieth-century Spanish ... Margaret Helen Persin Eingeschränkte Leseprobe - 1997 |
Getting the Picture: The Ekphrastic Principle in Twentieth-Century Spanish ... Margaret H. Persin Keine Leseprobe verfügbar - 1997 |
Häufige Begriffe und Wortgruppen
Alberti alien allows appear art forms art object artistic attempts becomes body chapter closing codes collection communicate concept considered continually conventions created creation creative critic cultural desire discourse ekphrasis entitled example fashion female final focus frame gaze Gimferrer hand Ibid issue language limits lines linguistic literary literature look Machado male Martín Gaite means mirror namely nature object offers once opening original painter painting patriarchal perspective photograph Picasso play poem poet poet's poetic text poetry portrait position possible presence produce question reader reading reality reference reflects regard relationship represent representation sense silence simultaneously space Spanish speak speaker story strategy subverts suggests takes Talens textual tion tradition truth turn University Press utilizes various verbal verse vision visual visual art voice woman women writing