The Round Table: Characters of Shakespear's PlaysJ.M. Dent & Sons, 1960 - 366 Seiten |
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Seite 180
... tenderness and constancy to her husband . It is the peculiar excellence of Shakespear's heroines , that they seem to exist only in their attachment to others . They are pure abstractions of the affec- tions . We think as little of their ...
... tenderness and constancy to her husband . It is the peculiar excellence of Shakespear's heroines , that they seem to exist only in their attachment to others . They are pure abstractions of the affec- tions . We think as little of their ...
Seite 203
... tenderness have had their vent in that passionate apostrophe , I felt not Cassio's kisses on her lips , ' Iago , by false aspersions , and by presenting the most revolting images to his mind , 1 easily turns the storm of passion from ...
... tenderness have had their vent in that passionate apostrophe , I felt not Cassio's kisses on her lips , ' Iago , by false aspersions , and by presenting the most revolting images to his mind , 1 easily turns the storm of passion from ...
Seite 254
... tenderness of heart with the most voluptuous sensi- bility . Love is a gentle flame that rarifies and expands her whole being . What an idea of trembling haste and airy grace , borne upon the thoughts of love , does the Friar's ...
... tenderness of heart with the most voluptuous sensi- bility . Love is a gentle flame that rarifies and expands her whole being . What an idea of trembling haste and airy grace , borne upon the thoughts of love , does the Friar's ...
Inhalt
On the Love of Life | 1 |
On Modern Comedy | 7 |
On Mr Keans Iago | 14 |
Urheberrecht | |
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actor admiration affections Apemantus appear beauty Beggar's Opera Boccacio Cæsar Caliban character circumstances comedy common contempt Coriolanus critic CYMBELINE death delight Desdemona doth dramatic equal excited eyes Falstaff fame fancy favour fear feeling folly fool friends genius give Gonerill good-natured grace hath hear heart heaven Henry honour Hubert human humour Iago idea imagination indifference interest Julius Cæsar king lady Lear live look lord Macbeth Malvolio manner Marriage a-la-Mode MIDSUMMER NIGHT'S DREAM mind mistress moral nature never noble objects opinion Othello painted painter passages passion persons picture play pleasure poet poetry Prince principle reason refinement Regan Rembrandt Richard Richard II ROMEO AND JULIET scene seems sense sentiment Shakespear shew soul speak spirit stage sweet sympathy taste Tatler tenderness thee things thou art thought Titian Titus Andronicus tragedy true truth whole words writer youth