The History of the Chorus in the German DramaColumbia University Press, 1912 - 95 Seiten |
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The History of the Chorus in the German Drama Elsie Winifred Helmrich Keine Leseprobe verfügbar - 2016 |
The History of the Chorus in the German Drama Elsie Winifred Helmrich Keine Leseprobe verfügbar - 2015 |
The History of the Chorus, in the German Drama (Classic Reprint) Elsie Winifred Helmrich Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
action Agathon agent appears Aristipp Aristippus Attisches Museum auctoris Ausgewählte Briefe Avestan beauty Beiträge Beowulf Brugmann case-forms character Characteristics Chor choral song chorus Cicero Columbia University connection Danischmend dative dative of agency dative-agent Delbrück denoting Deutsche deutschen doctrine drama dramatists edition esthetic Euripides expressed finite passive function Gebrauch genitive German gerundive Geschichte Goethe goldne Spiegel Göschen Gothic Graces Greek Greek chorus Gruber Gryphius harmony Hempel Hübschmann Ibid Indo-European Indo-European languages Indo-Iranian influence inst instance interest Jahrhunderts kalokagathia languages Latin Leibniz Leipzig Letter locative lyric Macropedius means mihi Musarion nature original participle passive verbs Peregrinus Proteus philosophy Plautus plays poets preposition Prosaische Schriften raillery religion rôle Sanskrit says Schiller Shaftes Shaftesbury Slavic soul stage sung Sympathien Synkretismus Synt Teutscher Merkur thru tion tragedy translation übersetzt verbal virtue Wieland wit and humor Wulfila Xenophon Zimmermann καὶ
Beliebte Passagen
Seite 33 - the doing good to mankind, in obedience to the will of God, and for the sake of everlasting happiness.
Seite 25 - If eating and drinking be natural, herding is so too. If any appetite or sense be natural, the sense of fellowship is the same. If there be anything of nature in that affection which is between the sexes, the affection is certainly as natural towards the consequent offspring and so again between the offspring themselves, as kindred and companions, bred under the same discipline and economy. And thus a clan or tribe is...
Seite 24 - No sooner are actions viewed, no sooner the human affections and passions discerned (and they are most of them as soon discerned as felt) than straight an inward eye distinguishes, and sees the fair and shapely, the amiable and admirable, apart from the deformed, the foul, the odious, or the despicable. How is it possible therefore not to own " that as these distinctions have their foundation in Nature, the discernment itself is natural, and from Nature alone...
Seite 34 - Thus, according to our author, the taste of beauty and the relish of what is decent, just, and amiable perfects the character of the gentleman and the philosopher. And the study of such a taste or relish will, as we suppose, be ever the great employment and concern of him who covets as well to be wise and good as agreeable and polite.
Seite 71 - I demonstrate that the sociableness of man arises only from these two things, viz. the multiplicity of his desires, and the continual opposition he meets with in his endeavors to gratify them.
Seite 46 - ... natural impulse. Lying, on the contrary, is doing violence to our nature; and is never practised, even by the worst men, without some temptation. Speaking truth is like using our natural food, which we would do from appetite, although it answered no end: but lying is like taking physic, which is nauseous to the taste, and which no man takes but for some end which he cannot otherwise attain.
Seite 41 - tis the hardest thing in the world to deny fair honesty the use of this weapon, which can never bear an edge against herself, and bears against every thing contrary.
Seite 37 - In this latter general denomination we include the real fine gentlemen, the lovers of art and ingenuity, such as have seen the world, and informed themselves of the manners and customs of the several nations of Europe ; searched into their antiquities and records ; considered their police, laws, and constitutions ; observed the situation, strength, and ornaments of their cities, their principal arts, studies, and amusements ; their architecture, sculpture, painting, music, and their taste in poetry,...
Seite 21 - The moral Artist, who can thus imitate the Creator, and is thus knowing in the inward form and structure of his fellow-creature, will hardly, I presume, be found unknowing in himself, or at a loss in those numbers which make the harmony of a mind.
Seite 20 - Like that sovereign artist or universal plastic nature, he forms a whole, coherent and proportioned in itself, with due subjection and subordinacy of constituent parts. He notes the boundaries of the passions, and knows their exact tones and measures; by which he justly represents them, marks the sublime of sentiments and action, and distinguishes the beautiful from the deformed, the amiable from the odious.