Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 140
... Honda's wife Rié escorts the nineteen - year - old Ying Chan and nearly fifty - year - old friend Keiko onto the terrace in their swimming suits . Honda's attention shifts to Keiko who " seemed voluptuous " and " when seen in profile ...
... Honda's wife Rié escorts the nineteen - year - old Ying Chan and nearly fifty - year - old friend Keiko onto the terrace in their swimming suits . Honda's attention shifts to Keiko who " seemed voluptuous " and " when seen in profile ...
Seite 144
... Honda observes " the demeaning position of his wife " he recognizes himself in her . By way of a negative identification Honda thus becomes the object of a different self- perception . Seeing himself in his wife makes him other to him ...
... Honda observes " the demeaning position of his wife " he recognizes himself in her . By way of a negative identification Honda thus becomes the object of a different self- perception . Seeing himself in his wife makes him other to him ...
Seite 148
... Honda , for whom desire is intricately linked to death- " How alike were the voices of pleasure and death ! ” ( 315 ) — and who had envisioned Ying Chan as a “ dying dancer . " If we recall that classical Japanese literature was ...
... Honda , for whom desire is intricately linked to death- " How alike were the voices of pleasure and death ! ” ( 315 ) — and who had envisioned Ying Chan as a “ dying dancer . " If we recall that classical Japanese literature was ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Feminist Theory and Cultural Studies | 89 |
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