Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 14,Teil 3Indiana University Press, 1992 |
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Seite 137
... Ying Chan , for Honda , would mean to do exactly the opposite of the voyeur , namely , " to keep Ying Chan as far away as possible from the talons of his perception ” ( 296 ) . Love , as Honda knows , depends on the unknown , the secret ...
... Ying Chan , for Honda , would mean to do exactly the opposite of the voyeur , namely , " to keep Ying Chan as far away as possible from the talons of his perception ” ( 296 ) . Love , as Honda knows , depends on the unknown , the secret ...
Seite 144
Berkeley Journal for Theoretical Studies in Media and Culture. second betrayal of Ying Chan by skillfully using it in order to both involve Rié ... Ying Chan for her otherness . Despite Honda's condescension toward his wife 144 Discourse ...
Berkeley Journal for Theoretical Studies in Media and Culture. second betrayal of Ying Chan by skillfully using it in order to both involve Rié ... Ying Chan for her otherness . Despite Honda's condescension toward his wife 144 Discourse ...
Seite 148
... Ying Chan's final convulsions which uncannily recall her convul- sions during the act of making love to Keiko . But , as we recall , this first scene of a convulsive love was an effect of the voyeuristic gaze of Honda , for whom desire ...
... Ying Chan's final convulsions which uncannily recall her convul- sions during the act of making love to Keiko . But , as we recall , this first scene of a convulsive love was an effect of the voyeuristic gaze of Honda , for whom desire ...
Inhalt
Ecstasy and Economics A Portrait of Paul Keating | 3 |
Publicity Rights and | 59 |
Feminist Theory and Cultural Studies | 89 |
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