Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 52
... Christian prince . . And see , a book of prayer in his hand , True ornaments to know a holy man . Famous Plantagenet , most gracious prince , Lend favourable ear to our requests , And pardon us the interruption Of thy devotion and right ...
... Christian prince . . And see , a book of prayer in his hand , True ornaments to know a holy man . Famous Plantagenet , most gracious prince , Lend favourable ear to our requests , And pardon us the interruption Of thy devotion and right ...
Seite 75
... Christian mercy . But what of the play ? And especially what of the characterization of Angelo ? We have J. I. M. Stewart's opin- ion ( backed by a reference to Havelock Ellis ) that just such men as Angelo , cold to common ...
... Christian mercy . But what of the play ? And especially what of the characterization of Angelo ? We have J. I. M. Stewart's opin- ion ( backed by a reference to Havelock Ellis ) that just such men as Angelo , cold to common ...
Seite 85
... Christian , what is his humility ? Revenge . If a Christian wrong a Jew , what should his sufferance be by Christian example ? Why , revenge . The villany you teach me I will execute , and it shall go hard but I will better the ...
... Christian , what is his humility ? Revenge . If a Christian wrong a Jew , what should his sufferance be by Christian example ? Why , revenge . The villany you teach me I will execute , and it shall go hard but I will better the ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes