Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 72
... Isabella that , because Mariana's dowry was accidentally lost , Angelo re- fused to marry her . Instead , he " left her in tears and dried not one of them with his comfort ; swallowed his vows whole , pre- tending in her discoveries of ...
... Isabella that , because Mariana's dowry was accidentally lost , Angelo re- fused to marry her . Instead , he " left her in tears and dried not one of them with his comfort ; swallowed his vows whole , pre- tending in her discoveries of ...
Seite 74
... Isabella's Chris- tian plea of tempering justice with mercy . The Christian note is suggested early in the play in her reply to Angelo's statement that her brother is " a forfeit of the law . " Why , all the souls that were were forfeit ...
... Isabella's Chris- tian plea of tempering justice with mercy . The Christian note is suggested early in the play in her reply to Angelo's statement that her brother is " a forfeit of the law . " Why , all the souls that were were forfeit ...
Seite 75
... Isabella— stops not at attempting murder because Claudio Might in the times to come have ta'en revenge By so ... Isabella and Angelo develops in a way probably unique in Shakespeare's plays . In the first interview between Angelo and ...
... Isabella— stops not at attempting murder because Claudio Might in the times to come have ta'en revenge By so ... Isabella and Angelo develops in a way probably unique in Shakespeare's plays . In the first interview between Angelo and ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes