Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 112
... London , 1916 , p . 90 . 2. Robert W. Babcock , The Genesis of Shakespeare Idolatry , 1766-1799 , Chapel Hill , N. C. , 1931 , p . 3 . 3. Dedication to Shakespeare Illustrated , ed . Mrs. Charlotte Ramsay Lennox , 2 vols . , London ...
... London , 1916 , p . 90 . 2. Robert W. Babcock , The Genesis of Shakespeare Idolatry , 1766-1799 , Chapel Hill , N. C. , 1931 , p . 3 . 3. Dedication to Shakespeare Illustrated , ed . Mrs. Charlotte Ramsay Lennox , 2 vols . , London ...
Seite 115
... London , 1933 , 23. August Goll , Criminal Types in Shakespeare , translated by Mrs. Charles Weekes , London , 1909 , p . 213 . 24. Ibid . , pp . 216-217 . 25. Ibid . , pp . 217-218 . 26. Stoll , Art and Artifice in Shakespeare , p . 10 ...
... London , 1933 , 23. August Goll , Criminal Types in Shakespeare , translated by Mrs. Charles Weekes , London , 1909 , p . 213 . 24. Ibid . , pp . 216-217 . 25. Ibid . , pp . 217-218 . 26. Stoll , Art and Artifice in Shakespeare , p . 10 ...
Seite 116
... London , 1914 , p . 189 . 24. Margaret Webster , Shakespeare Today , London , 1957 , Pp . 223-224 . 25. The Shakespeare Papers of the Late William Maginn , pp . 169-170 . Notes on Chapter IV , Angelo and Shylock , pp . 69-87 1 ...
... London , 1914 , p . 189 . 24. Margaret Webster , Shakespeare Today , London , 1957 , Pp . 223-224 . 25. The Shakespeare Papers of the Late William Maginn , pp . 169-170 . Notes on Chapter IV , Angelo and Shylock , pp . 69-87 1 ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes