Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
Im Buch
Ergebnisse 1-3 von 26
Seite 79
... Shylock provokes in his own daugh- ter and in the otherwise friendly Antonio , one might be surprised at the vehemence with which some critics take up Shylock's cause . To return to Murry , For in Shylock are combined , in a mighty ...
... Shylock provokes in his own daugh- ter and in the otherwise friendly Antonio , one might be surprised at the vehemence with which some critics take up Shylock's cause . To return to Murry , For in Shylock are combined , in a mighty ...
Seite 83
... Shylock's charges ; neither does he seek reconciliation . Up to this point we have open declarations of hatred ; but , toward the end of Act I , Shylock , turning deceitful , feigns friendship and proposes the bond “ in a merry sport ...
... Shylock's charges ; neither does he seek reconciliation . Up to this point we have open declarations of hatred ; but , toward the end of Act I , Shylock , turning deceitful , feigns friendship and proposes the bond “ in a merry sport ...
Seite 86
... Shylock insists that the law be fulfilled ; when the merchant is about to expose his breast to the knife , a flaw in the Jew's prosecution is discovered . " This bond doth give thee here no jot of blood " ( IV : 1 : 305 ) . Thus is ...
... Shylock insists that the law be fulfilled ; when the merchant is about to expose his breast to the knife , a flaw in the Jew's prosecution is discovered . " This bond doth give thee here no jot of blood " ( IV : 1 : 305 ) . Thus is ...
Inhalt
Abschnitt 1 | 7 |
Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes