Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 18
... Stoll's arguments were anticipated by Robert Bridges , Tolstoy , and Levin Schücking , Stoll probably represents the most persistent of twentieth century research scholars who have sought to stem the flow of uncritical praise for ...
... Stoll's arguments were anticipated by Robert Bridges , Tolstoy , and Levin Schücking , Stoll probably represents the most persistent of twentieth century research scholars who have sought to stem the flow of uncritical praise for ...
Seite 50
... Stoll registers again and again in his strictures on the psychological accuracy of Shakespeare's characters ; but in fairness to the poet's powers of characterization even in his early plays , Stoll might have pointed out the ...
... Stoll registers again and again in his strictures on the psychological accuracy of Shakespeare's characters ; but in fairness to the poet's powers of characterization even in his early plays , Stoll might have pointed out the ...
Seite 115
... Stoll , Art and Artifice in Shakespeare , London , 1933 , 23. August Goll , Criminal Types in Shakespeare , translated by Mrs. Charles Weekes , London , 1909 , p . 213 . 24. Ibid . , pp . 216-217 . 25. Ibid . , pp . 217-218 . 26. Stoll ...
... Stoll , Art and Artifice in Shakespeare , London , 1933 , 23. August Goll , Criminal Types in Shakespeare , translated by Mrs. Charles Weekes , London , 1909 , p . 213 . 24. Ibid . , pp . 216-217 . 25. Ibid . , pp . 217-218 . 26. Stoll ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes