Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 65
... becomes clear that , though Macbeth has great am- bitions , his wife fears that he may be too scrupulous to realize ... become a man . Who dares do more is none ( I : vii : 31-47 ) , he soon yields to the importunings of his wife ...
... becomes clear that , though Macbeth has great am- bitions , his wife fears that he may be too scrupulous to realize ... become a man . Who dares do more is none ( I : vii : 31-47 ) , he soon yields to the importunings of his wife ...
Seite 86
... becomes more than an obstacle in Antonio's journey toward happiness and pros- perity , which is about all one ... become a Christian ; these two demands seem so un- bearable as to call forth his last pathetic utterance : Nay , take my ...
... becomes more than an obstacle in Antonio's journey toward happiness and pros- perity , which is about all one ... become a Christian ; these two demands seem so un- bearable as to call forth his last pathetic utterance : Nay , take my ...
Seite 92
... becomes jealous of her sister who , as a widow , thinks she has a prior claim on Edmund's affections . This rivalry ... become understandable in terms of human 92 Demi - Devils : The Character of Shakespeare's Villains.
... becomes jealous of her sister who , as a widow , thinks she has a prior claim on Edmund's affections . This rivalry ... become understandable in terms of human 92 Demi - Devils : The Character of Shakespeare's Villains.
Inhalt
Abschnitt 1 | 7 |
Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes