Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 74
... brother is " a forfeit of the law . " Why , all the souls that were were forfeit once , And he that might the ... brother is alive : I partly think A due sincerity governed his deeds Till he did look on me . Since it is so , Let him not ...
... brother is " a forfeit of the law . " Why , all the souls that were were forfeit once , And he that might the ... brother is alive : I partly think A due sincerity governed his deeds Till he did look on me . Since it is so , Let him not ...
Seite 95
... brother ? EDMUND : Brother , I advise you to the best . Go arm'd . I am no honest man if there be any good meaning toward you . I have told you what I have seen and heard ; but faintly , nothing like the image and horror of it . Pray ...
... brother ? EDMUND : Brother , I advise you to the best . Go arm'd . I am no honest man if there be any good meaning toward you . I have told you what I have seen and heard ; but faintly , nothing like the image and horror of it . Pray ...
Seite 99
... brother's death The memory be green , and that it us befitted To bear our hearts in grief , and our whole kingdom To be contracted in one brow of woe , Yet so far hath discretion fought with nature That we with wisest sorrow think on ...
... brother's death The memory be green , and that it us befitted To bear our hearts in grief , and our whole kingdom To be contracted in one brow of woe , Yet so far hath discretion fought with nature That we with wisest sorrow think on ...
Inhalt
Abschnitt 1 | 7 |
Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
Urheberrecht | |
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes