Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
Im Buch
Ergebnisse 1-3 von 21
Seite 66
... crime - his ambi- tion , the placing of temptations in his path , the urgings of his wife , and the strange prophecies of the witches that an audience in earlier times would probably accept as the work of the devil , but that present ...
... crime - his ambi- tion , the placing of temptations in his path , the urgings of his wife , and the strange prophecies of the witches that an audience in earlier times would probably accept as the work of the devil , but that present ...
Seite 74
The Character of Shakespeare's Villains Charles Norton Coe. crimes are uncovered , he asks no less than death . He ... crime ) , is Isabella's Chris- tian plea of tempering justice with mercy . The Christian note is suggested early in ...
The Character of Shakespeare's Villains Charles Norton Coe. crimes are uncovered , he asks no less than death . He ... crime ) , is Isabella's Chris- tian plea of tempering justice with mercy . The Christian note is suggested early in ...
Seite 75
... crime leads to another and that Angelo ( like Macbeth ) once he has embarked on crime - the clandestine meeting with the supposed Isabella— stops not at attempting murder because Claudio Might in the times to come have ta'en revenge By ...
... crime leads to another and that Angelo ( like Macbeth ) once he has embarked on crime - the clandestine meeting with the supposed Isabella— stops not at attempting murder because Claudio Might in the times to come have ta'en revenge By ...
Inhalt
Abschnitt 1 | 7 |
Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes