Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 40
... evidence that the relation between the two has not been such as to inspire Othello's confidence in Iago . How else are we to interpret the scene in which Cassio quarrels with Roderigo and Montano and loses his lieutenancy ? When Othello ...
... evidence that the relation between the two has not been such as to inspire Othello's confidence in Iago . How else are we to interpret the scene in which Cassio quarrels with Roderigo and Montano and loses his lieutenancy ? When Othello ...
Seite 71
... evidence that Shakespeare intended to represent Angelo not as a base vil- lain , but as a man who succumbs to temptation . When the Duke proposes to make Angelo his deputy , Escalus , an ancient Lord , says that if anyone in Vienna is ...
... evidence that Shakespeare intended to represent Angelo not as a base vil- lain , but as a man who succumbs to temptation . When the Duke proposes to make Angelo his deputy , Escalus , an ancient Lord , says that if anyone in Vienna is ...
Seite 88
... evidence in the king of this loving and kindly nature , except for his initial , ill - advised act of generosity in divid- ing his kingdom among his daughters . Much has been written about the inhumanity of Lear's older daughters and ...
... evidence in the king of this loving and kindly nature , except for his initial , ill - advised act of generosity in divid- ing his kingdom among his daughters . Much has been written about the inhumanity of Lear's older daughters and ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes