Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 55
... fact that he worries over the prophecy in favor of Banquo's issue is taken by Whately to indicate the envy he feels toward his rival . This envy is based on an understandable desire to have his offspring continue on the throne . In ...
... fact that he worries over the prophecy in favor of Banquo's issue is taken by Whately to indicate the envy he feels toward his rival . This envy is based on an understandable desire to have his offspring continue on the throne . In ...
Seite 96
... fact that , at the beginning of the play he functions in a subplot paralleling the main theme of filial ingratitude might raise questions of plausibility . I think Shakespeare's device of having the subplot follow the main plot so ...
... fact that , at the beginning of the play he functions in a subplot paralleling the main theme of filial ingratitude might raise questions of plausibility . I think Shakespeare's device of having the subplot follow the main plot so ...
Seite 110
... fact they might scarcely have sur- vived except for the eminent name of their author . I have pointed out that , even though Shakespeare wrote with the inter- ests of Elizabethan audiences in mind , and even though he was undoubtedly ...
... fact they might scarcely have sur- vived except for the eminent name of their author . I have pointed out that , even though Shakespeare wrote with the inter- ests of Elizabethan audiences in mind , and even though he was undoubtedly ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes