Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 30
... friends ; Make poor men's cattle break their necks ; Set fire on barns and hay - stacks in the night And bid the owners quench them with their tears . Oft have I digg'd up dead men from their graves And set them upright at their dear ...
... friends ; Make poor men's cattle break their necks ; Set fire on barns and hay - stacks in the night And bid the owners quench them with their tears . Oft have I digg'd up dead men from their graves And set them upright at their dear ...
Seite 77
... lend this money , lend it not As to thy friends - for when did friendship take A breed for barren metal of his friend ? But lend it rather to thine enemy , Who if he break , thou mayst with better face Angelo and Shylock 77.
... lend this money , lend it not As to thy friends - for when did friendship take A breed for barren metal of his friend ? But lend it rather to thine enemy , Who if he break , thou mayst with better face Angelo and Shylock 77.
Seite 83
... friendship take / A breed for barren metal of his friend " ( I : iii : 134-135 ) , and decides to be a friend of Antonio and Bassanio : " I would be friends with you and have your love " ( I : iii : 139 ) . Although most critics regard ...
... friendship take / A breed for barren metal of his friend " ( I : iii : 134-135 ) , and decides to be a friend of Antonio and Bassanio : " I would be friends with you and have your love " ( I : iii : 139 ) . Although most critics regard ...
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Abschnitt 3 | 11 |
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes