Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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... give way to more sympathetic attitudes . Tracing the phases of eight- eenth century criticism in The Genesis of Shakespeare Idolatry , Robert W. Babcock writes : During the earlier period , from 1660 to 1730 , the traditional objections ...
... give way to more sympathetic attitudes . Tracing the phases of eight- eenth century criticism in The Genesis of Shakespeare Idolatry , Robert W. Babcock writes : During the earlier period , from 1660 to 1730 , the traditional objections ...
Seite 67
The Character of Shakespeare's Villains Charles Norton Coe. All causes shall give way . I am in blood Stepp'd in so far that , should I wade no more , Returning were as tedious as go o'er . Strange things I have in head , that will to ...
The Character of Shakespeare's Villains Charles Norton Coe. All causes shall give way . I am in blood Stepp'd in so far that , should I wade no more , Returning were as tedious as go o'er . Strange things I have in head , that will to ...
Seite 86
... give thee here no jot of blood " ( IV : 1 : 305 ) . Thus is Antonio saved and Shylock thwarted , and presumably one could leave the theatre with the feeling that jus- tice had prevailed over evil . But is that the total effect of this ...
... give thee here no jot of blood " ( IV : 1 : 305 ) . Thus is Antonio saved and Shylock thwarted , and presumably one could leave the theatre with the feeling that jus- tice had prevailed over evil . But is that the total effect of this ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes