Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 15
... so copiously diversified , and some of them so justly pursued , that his works may be con- sidered as a map of life , a faithful miniature of human transactions , and he that has read Shakespeare with atten- 15 I. INTRODUCTION ...
... so copiously diversified , and some of them so justly pursued , that his works may be con- sidered as a map of life , a faithful miniature of human transactions , and he that has read Shakespeare with atten- 15 I. INTRODUCTION ...
Seite 40
... human relations certainly afford many examples of this misplaced confidence ; so I see no reason for regarding it as forced here . To account for Iago's capacity to deceive , August Goll , in Criminal Types in Shakespeare , makes the ...
... human relations certainly afford many examples of this misplaced confidence ; so I see no reason for regarding it as forced here . To account for Iago's capacity to deceive , August Goll , in Criminal Types in Shakespeare , makes the ...
Seite 96
... human qual- ity and that repentance is characteristic of the dying , Edmund's last words provide a clear example of a character's subservience to plot , for he is the only one who knows about the plight of Lear and Cordelia . Just ...
... human qual- ity and that repentance is characteristic of the dying , Edmund's last words provide a clear example of a character's subservience to plot , for he is the only one who knows about the plight of Lear and Cordelia . Just ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes