Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 38
... nature " ( I : iii : 405 ) , and The Moor ( howbeit that I endure him not ) Is of a constant , loving , noble nature , And I dare think he'll prove to Desdemona A most dear husband . ( II : i : 297-300 ) It was this second motive ...
... nature " ( I : iii : 405 ) , and The Moor ( howbeit that I endure him not ) Is of a constant , loving , noble nature , And I dare think he'll prove to Desdemona A most dear husband . ( II : i : 297-300 ) It was this second motive ...
Seite 71
... Nature never lends The smallest scruple of her excellence But , like a thrifty goddess , she determines Herself the glory of a creditor , Both thanks and use . ( I : i : 28-41 ) Perhaps , as in the characterization of Iago , this is ...
... Nature never lends The smallest scruple of her excellence But , like a thrifty goddess , she determines Herself the glory of a creditor , Both thanks and use . ( I : i : 28-41 ) Perhaps , as in the characterization of Iago , this is ...
Seite 88
... nature . ” 2 Yet one can search through the early scenes of the play with- out finding much evidence in the king of this loving and kindly nature , except for his initial , ill - advised act of generosity in divid- ing his kingdom among ...
... nature . ” 2 Yet one can search through the early scenes of the play with- out finding much evidence in the king of this loving and kindly nature , except for his initial , ill - advised act of generosity in divid- ing his kingdom among ...
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Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
Urheberrecht | |
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes