Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 11
... never be right ; and if we can never be right , it is better that we should from time to time change our way of being wrong . " 3 In approaching the subject of Shakespeare's villains , I am assuming that the plays were written not ...
... never be right ; and if we can never be right , it is better that we should from time to time change our way of being wrong . " 3 In approaching the subject of Shakespeare's villains , I am assuming that the plays were written not ...
Seite 45
... never proud ; Had tongue at will , and yet was never loud ; Never lack'd gold , and yet went never gay ; Fled from her wish , and yet said ' Now I may ' ; She that , being angʼred , her revenge being nigh , Bade her wrong stay , and her ...
... never proud ; Had tongue at will , and yet was never loud ; Never lack'd gold , and yet went never gay ; Fled from her wish , and yet said ' Now I may ' ; She that , being angʼred , her revenge being nigh , Bade her wrong stay , and her ...
Seite 84
... never fell upon our nation till now ; I never felt it till now . . . . I would my daughter were dead at my foot , and the jewels in her ear ! . . . ... TUBAL : Yes , other men have ill luck too . Antonio , as I heard in Genoa- SHYLOCK ...
... never fell upon our nation till now ; I never felt it till now . . . . I would my daughter were dead at my foot , and the jewels in her ear ! . . . ... TUBAL : Yes , other men have ill luck too . Antonio , as I heard in Genoa- SHYLOCK ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes