Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
Im Buch
Ergebnisse 1-3 von 11
Seite 33
... would probably satisfy the average person seeing the play . The opening scene , with its explanation of Iago's feeling toward Othello and Cas- sio , sounds convincing : RODERIGO : Thou told'st me thou didst hold him [ Aaron and Iago 33.
... would probably satisfy the average person seeing the play . The opening scene , with its explanation of Iago's feeling toward Othello and Cas- sio , sounds convincing : RODERIGO : Thou told'st me thou didst hold him [ Aaron and Iago 33.
Seite 41
... person Iago ( or any other complex Shakespearean character ) was like before the play opens . We know that Iago was an experienced soldier , trusted by Othello and others . His critical traits may account , in some measure , for that ...
... person Iago ( or any other complex Shakespearean character ) was like before the play opens . We know that Iago was an experienced soldier , trusted by Othello and others . His critical traits may account , in some measure , for that ...
Seite 99
... person to react normally to an abnormal situation , is himself made to seem abnormal.10 But some critics , Levin ... persons in the course of the drama . " Schücking applies this principle to Claudius and finds a problem in his ...
... person to react normally to an abnormal situation , is himself made to seem abnormal.10 But some critics , Levin ... persons in the course of the drama . " Schücking applies this principle to Claudius and finds a problem in his ...
Inhalt
Abschnitt 1 | 7 |
Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes