Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 21
... question to be consid- ered is this : does the whole , or a substantial part . . of the play make stage sense ? Does it yield a practicable and . . . intelligible stage performance ? " 22 ... It is also necessary , before discussing the ...
... question to be consid- ered is this : does the whole , or a substantial part . . of the play make stage sense ? Does it yield a practicable and . . . intelligible stage performance ? " 22 ... It is also necessary , before discussing the ...
Seite 58
... question of Lady Macbeth's character . Mrs. Jameson summarizes the problem well in Shake- speare's Female Characters : In the play or poem of Macbeth , the interest of the story is so engrossing , the events so rapid and so appalling ...
... question of Lady Macbeth's character . Mrs. Jameson summarizes the problem well in Shake- speare's Female Characters : In the play or poem of Macbeth , the interest of the story is so engrossing , the events so rapid and so appalling ...
Seite 104
... question to assume that Claudius ' motive was entirely selfless . Still his apparent love and tenderness for Gertrude cannot be overlooked in evaluating his character ; Shakespeare has made something of it although Grebanier may be ...
... question to assume that Claudius ' motive was entirely selfless . Still his apparent love and tenderness for Gertrude cannot be overlooked in evaluating his character ; Shakespeare has made something of it although Grebanier may be ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes