Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 21
... realistic . The crudest of Elizabethan villains , according to Bradbrook , " are hardly ever interesting . Their business was to complicate the action and produce the tragic situation . ” 23 One purpose of realistic characterization is ...
... realistic . The crudest of Elizabethan villains , according to Bradbrook , " are hardly ever interesting . Their business was to complicate the action and produce the tragic situation . ” 23 One purpose of realistic characterization is ...
Seite 22
... realistic characterization : variety or complexity in character presentation . This many - sided- ness may consist of qualities closely related to the plot , such as remorse or hypocrisy in a villain ; or it may bear little relation to ...
... realistic characterization : variety or complexity in character presentation . This many - sided- ness may consist of qualities closely related to the plot , such as remorse or hypocrisy in a villain ; or it may bear little relation to ...
Seite 50
... realistic : " A queer creature , this , to have the gift of seeing him- self as others see him , both body and soul , as hardly any one of us can do . " This is the type of objection that Stoll registers again and again in his ...
... realistic : " A queer creature , this , to have the gift of seeing him- self as others see him , both body and soul , as hardly any one of us can do . " This is the type of objection that Stoll registers again and again in his ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes