Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 40
... reason to trust , to the point of disbelieving persons whom he loves and has every reason to trust . " 22 Here a usually reliable critic is probably in error . For Stoll to say that Othello does not " really know " Iago is , of course ...
... reason to trust , to the point of disbelieving persons whom he loves and has every reason to trust . " 22 Here a usually reliable critic is probably in error . For Stoll to say that Othello does not " really know " Iago is , of course ...
Seite 42
... reason to " steal away so guilty - like " ; he had disgraced himself by getting into a drunken brawl and he plans to solicit Desdemona's help in petitioning for his reinstatement . No won- der he did not want to face Othello at that ...
... reason to " steal away so guilty - like " ; he had disgraced himself by getting into a drunken brawl and he plans to solicit Desdemona's help in petitioning for his reinstatement . No won- der he did not want to face Othello at that ...
Seite 65
... reason to ex- pect the kingship , the play and the character would have been different . Instead , Shakespeare shows us a good man tempted without having been wronged by his king , as he was in Holins- hed . Quite the contrary , Macbeth ...
... reason to ex- pect the kingship , the play and the character would have been different . Instead , Shakespeare shows us a good man tempted without having been wronged by his king , as he was in Holins- hed . Quite the contrary , Macbeth ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes