Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 43
The Character of Shakespeare's Villains Charles Norton Coe. I regard Stoll's strictures on Othello as examples of schol- arly , historical criticism overreaching itself . Like some other modern critics , Stoll has been diligent and ...
The Character of Shakespeare's Villains Charles Norton Coe. I regard Stoll's strictures on Othello as examples of schol- arly , historical criticism overreaching itself . Like some other modern critics , Stoll has been diligent and ...
Seite 70
... regards Angelo and Isabella as real persons : a villain whose pardon thwarts the demands of justice , and a woman ... regard as hypocritical a man who argues so convincingly about justice after he has treated Mariana 70 Demi - Devils ...
... regards Angelo and Isabella as real persons : a villain whose pardon thwarts the demands of justice , and a woman ... regard as hypocritical a man who argues so convincingly about justice after he has treated Mariana 70 Demi - Devils ...
Seite 80
... regard the established traditions of his art , the rooted sentiments and prejudices of his public , " 10 have illumi- nated our understanding of the Jewish problem in Elizabethan England . Among other things , they have pointed out that ...
... regard the established traditions of his art , the rooted sentiments and prejudices of his public , " 10 have illumi- nated our understanding of the Jewish problem in Elizabethan England . Among other things , they have pointed out that ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes