Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 37
... remark on Macbeth , quoted in the introduction to this book , that the subtler parts of the play can be appreciated only after years of study . ) In my opinion , Iago's first motive , clearly set forth in the opening lines of the play ...
... remark on Macbeth , quoted in the introduction to this book , that the subtler parts of the play can be appreciated only after years of study . ) In my opinion , Iago's first motive , clearly set forth in the opening lines of the play ...
Seite 42
... remarks does not seem realistic to Stoll . He objects to Iago's " echoes and shrugs , ques- tions and misgivings , feints and dodges , pretences and denials , and whisking of evidence under the person's nose and sticking it in his ...
... remarks does not seem realistic to Stoll . He objects to Iago's " echoes and shrugs , ques- tions and misgivings , feints and dodges , pretences and denials , and whisking of evidence under the person's nose and sticking it in his ...
Seite 71
... remark to Friar Thomas at the close of Act I , Scene iii : Lord Angelo is precise , Stands at a guard with envy , scarce confesses That his blood flows or that his appetite Is more to bread than stone ; hence shall we see , If power ...
... remark to Friar Thomas at the close of Act I , Scene iii : Lord Angelo is precise , Stands at a guard with envy , scarce confesses That his blood flows or that his appetite Is more to bread than stone ; hence shall we see , If power ...
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes