Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 66
... revealed the various agencies that lead a man to crime - his ambi- tion , the placing of temptations in his path , the ... reveals itself in a different form in the subsequent acts . For example , in his instructions to the murderers of ...
... revealed the various agencies that lead a man to crime - his ambi- tion , the placing of temptations in his path , the ... reveals itself in a different form in the subsequent acts . For example , in his instructions to the murderers of ...
Seite 96
... reveals a pathetic , human quality in this social outcast . When the bodies of Goneril and Regan are brought in , Edmund says : Yet Edmund was belov'd . The one the other poisoned for my sake , And after slew herself . ( V : iii : 239 ...
... reveals a pathetic , human quality in this social outcast . When the bodies of Goneril and Regan are brought in , Edmund says : Yet Edmund was belov'd . The one the other poisoned for my sake , And after slew herself . ( V : iii : 239 ...
Seite 100
... reveal his guilt in public as in the banquet scene , villains like Claudius seem on their first appearance to be ... revealed immediately on his first appear- ance . But such a characterization would reduce the king to a type villain ...
... reveal his guilt in public as in the banquet scene , villains like Claudius seem on their first appearance to be ... revealed immediately on his first appear- ance . But such a characterization would reduce the king to a type villain ...
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Abschnitt 1 | 7 |
Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
Urheberrecht | |
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes