Demi-devils: The Character of Shakespeare's VillainsBookman Associates, 1963 - 122 Seiten |
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Seite 27
... revenge ; and her remark , " I'll find a day to massacre them all " ( I : i : 450 ) , is understandable to the audience , even though some of her subsequent conduct may not be . But , although Tamora ( like Lady Macbeth ) takes the ...
... revenge ; and her remark , " I'll find a day to massacre them all " ( I : i : 450 ) , is understandable to the audience , even though some of her subsequent conduct may not be . But , although Tamora ( like Lady Macbeth ) takes the ...
Seite 79
... revenge fastens not so much on [ Antonio's ] abuse of him as on his kindness to others . " 8 Early in the play , before the full extent of Shylock's capacity for cruelty has been demonstrated , there is evidence that the Jew's ...
... revenge fastens not so much on [ Antonio's ] abuse of him as on his kindness to others . " 8 Early in the play , before the full extent of Shylock's capacity for cruelty has been demonstrated , there is evidence that the Jew's ...
Seite 85
... revenge ? If we are like you in the rest , we will resemble you in that . If a Jew wrong a Christian , what is his humility ? Revenge . If a Christian wrong a Jew , what should his sufferance be by Christian example ? Why , revenge ...
... revenge ? If we are like you in the rest , we will resemble you in that . If a Jew wrong a Christian , what is his humility ? Revenge . If a Christian wrong a Jew , what should his sufferance be by Christian example ? Why , revenge ...
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Abschnitt 2 | 9 |
Abschnitt 3 | 11 |
Urheberrecht | |
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Aaron accept According action Angelo appear attempt audience becomes beginning believe brother called Cassio century certainly character characterization Christian claims Claudius comedy consider conventions convincing course crime critics death Desdemona drama earlier early Edmund effective Elizabethan evidence evil example explain fact father feeling friends give given Goneril Hamlet hand hath human husband Iago Iago's interest interpretation Isabella justice King Lady Macbeth Lear less lifelike lives London look means Measure mind motivation murder nature never once opening Othello passage person play plot powers praise present probably problem psychological queen question realistic reason Regan regard remark reveals revenge Richard scene seems Shake Shakespeare Shylock soliloquy stage Stoll suggests sympathy tells thee thou thought tion Titus Andronicus Tragedy true trying understandable University villains whole wife writes