Remarks on Secular & Domestic Architecture, Present & FutureJ. Murray, 1857 - 285 Seiten |
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... centuries , such as those of the villages of Gloucestershire , Northamptonshire , and Somerset ? On the whole , is the ... century , many of the remains of houses , both in cities and in the country , though never richly ornamented , are ...
... centuries , such as those of the villages of Gloucestershire , Northamptonshire , and Somerset ? On the whole , is the ... century , many of the remains of houses , both in cities and in the country , though never richly ornamented , are ...
Seite 3
... do- mestic buildings of the fifteenth and the commence- ment of the sixteenth centuries . The first effect of the revival of Roman detail was to foster a feeling for extravagant and fantastic forms of B 2 in its Vernacular Form . 3.
... do- mestic buildings of the fifteenth and the commence- ment of the sixteenth centuries . The first effect of the revival of Roman detail was to foster a feeling for extravagant and fantastic forms of B 2 in its Vernacular Form . 3.
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... century , while retaining much of the noble feeling of the previous age , had lost its purity and simplicity ; still , however , one can never see the domestic works of those days without admiration , and still we see the great ...
... century , while retaining much of the noble feeling of the previous age , had lost its purity and simplicity ; still , however , one can never see the domestic works of those days without admiration , and still we see the great ...
Seite 5
... centuries ; so much so , that in some of the more secluded villages of Northamptonshire , Oxfordshire , and , probably , some other counties , cottages continued to be built , up to the beginning of the present century , in a manner ...
... centuries ; so much so , that in some of the more secluded villages of Northamptonshire , Oxfordshire , and , probably , some other counties , cottages continued to be built , up to the beginning of the present century , in a manner ...
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... century shewed the style of the mansion or the Hotel de Ville reduced to its simplest elements , and proved its innate nobility ; as the tithe - barn of the fourteenth century proved that the architecture of the day was noble even in ...
... century shewed the style of the mansion or the Hotel de Ville reduced to its simplest elements , and proved its innate nobility ; as the tithe - barn of the fourteenth century proved that the architecture of the day was noble even in ...
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absurd admit ancient archi architects artistic beauty brick builders ceilings century character church class of building classic colour construction corbels cornices cottages Crystal Palace decoration degree demands domestic architecture Edition effect encaustic tiles fact feeling gabled GEORGE GILBERT SCOTT give Gothic archi Gothic architecture Gothic revival ground hall harmony idea imitation instance Italian Italian architecture Italy kind less lintel look mansions marble material medieval ment middle ages mode modern mouldings mullion mullioned window natural noble object ordinary ornamental ourselves painting palaces panels perhaps period plaster pointed arch pointed architecture position Post 8vo practical present principle racter render requirements revival roof rooms secular sham shew staircase stone street structures style suggest suited surface taste tecture thing timber tion towns tracery treated truth ture tympanum usually utilitarian architecture variety vernacular architecture wall window wood Woodcuts
Beliebte Passagen
Seite 117 - ... whenever it finds occasion for change in its form or purpose, it submits to it without the slightest sense of loss either to its unity or majesty, — subtle and flexible like a fiery serpent, but ever attentive to the voice of the charmer.
Seite 141 - Unto the upright there ariseth light in the darkness : he is gracious, and full of compassion, and righteous.
Seite 287 - Handbook of Architecture. Being a Concise and Popular Account of the Different Styles prevailing in all Ages and Countries in the World. With a Description of the most remarkable Buildings.
Seite 119 - I am quite assured that all the irregularities that are so beautiful in ancient architecture are the result of certain necessary difficulties, and were never purposely designed ; for to make a building inconvenient for the sake of obtaining irregularity would be scarcely less ridiculous than preparing working drawings for a new ruin. But all these inconsistencies have arisen from this great error, — the plans of buildings are designed to suit the elevation, instead of the elevation being made subservient...
Seite 118 - ... not masked or concealed under one monotonous front, but by their variety in form and outline increasing the effect of the building.
Seite 118 - An architect should exhibit his skill by turning the difficulties which occur in raising an elevation from a convenient plan into so many picturesque beauties; and this constitutes the great difference between the principles of classic and pointed domestic architecture. In the former he would be compelled to devise expedients to conceal these irregularities; in the latter he has only to beautify them.
Seite 4 - It is not too much to say that the ruling theology of the Church of England in the latter half of the sixteenth and the beginning of the seventeenth century was...
Seite 117 - Undefined in its slope of roof, height of shaft, breadth of arch, or disposition of ground plan, it can shrink into a turret, expand into a hall, coil into a staircase, or spring into a spire, with undegraded grace and unexhausted energy...