Remarks on Secular & Domestic Architecture, Present & FutureJ. Murray, 1857 - 285 Seiten |
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Seite 19
... painting and sculpture in this , that while they directly origi- nate from a feeling for beauty , and are either wholly independent of utility , or only accidentally connected with it , architecture results in the first instance from ...
... painting and sculpture in this , that while they directly origi- nate from a feeling for beauty , and are either wholly independent of utility , or only accidentally connected with it , architecture results in the first instance from ...
Seite 54
... painting . No better ceiling could , perhaps , be devised for modern uses . All the above are legitimate modes of forming a ceiling . The first , or constructive ceiling , is perhaps best suited to a public building . It is less suited ...
... painting . No better ceiling could , perhaps , be devised for modern uses . All the above are legitimate modes of forming a ceiling . The first , or constructive ceiling , is perhaps best suited to a public building . It is less suited ...
Seite 58
... painting plaster in imitation of stone or wood . In what way , then , may plaster be legitimately used ? So far as ceilings are concerned , we may answer that if we go beyond plain ceilings , and the plain panels enclosed by wood ...
... painting plaster in imitation of stone or wood . In what way , then , may plaster be legitimately used ? So far as ceilings are concerned , we may answer that if we go beyond plain ceilings , and the plain panels enclosed by wood ...
Seite 60
... painting and gilding , we shall add to our domestic architecture an element perfectly con- sistent with the style we ... painted deco- ration . Secondly , the partially constructive ceiling , shewing the beams but concealing the joists ...
... painting and gilding , we shall add to our domestic architecture an element perfectly con- sistent with the style we ... painted deco- ration . Secondly , the partially constructive ceiling , shewing the beams but concealing the joists ...
Seite 62
... paint them , they should be decoratively painted , -not a mere stone - colour ; indeed , a plain stone chimney - piece , well decorated by painting , is a very legitimate thing . In buildings of considerable architectural character the ...
... paint them , they should be decoratively painted , -not a mere stone - colour ; indeed , a plain stone chimney - piece , well decorated by painting , is a very legitimate thing . In buildings of considerable architectural character the ...
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absurd admit ancient archi architects artistic beauty brick builders ceilings century character church class of building classic colour construction corbels cornices cottages Crystal Palace decoration degree demands domestic architecture Edition effect encaustic tiles fact feeling gabled GEORGE GILBERT SCOTT give Gothic archi Gothic architecture Gothic revival ground hall harmony idea imitation instance Italian Italian architecture Italy kind less lintel look mansions marble material medieval ment middle ages mode modern mouldings mullion mullioned window natural noble object ordinary ornamental ourselves painting palaces panels perhaps period plaster pointed arch pointed architecture position Post 8vo practical present principle racter render requirements revival roof rooms secular sham shew staircase stone street structures style suggest suited surface taste tecture thing timber tion towns tracery treated truth ture tympanum usually utilitarian architecture variety vernacular architecture wall window wood Woodcuts
Beliebte Passagen
Seite 117 - ... whenever it finds occasion for change in its form or purpose, it submits to it without the slightest sense of loss either to its unity or majesty, — subtle and flexible like a fiery serpent, but ever attentive to the voice of the charmer.
Seite 141 - Unto the upright there ariseth light in the darkness : he is gracious, and full of compassion, and righteous.
Seite 287 - Handbook of Architecture. Being a Concise and Popular Account of the Different Styles prevailing in all Ages and Countries in the World. With a Description of the most remarkable Buildings.
Seite 119 - I am quite assured that all the irregularities that are so beautiful in ancient architecture are the result of certain necessary difficulties, and were never purposely designed ; for to make a building inconvenient for the sake of obtaining irregularity would be scarcely less ridiculous than preparing working drawings for a new ruin. But all these inconsistencies have arisen from this great error, — the plans of buildings are designed to suit the elevation, instead of the elevation being made subservient...
Seite 118 - ... not masked or concealed under one monotonous front, but by their variety in form and outline increasing the effect of the building.
Seite 118 - An architect should exhibit his skill by turning the difficulties which occur in raising an elevation from a convenient plan into so many picturesque beauties; and this constitutes the great difference between the principles of classic and pointed domestic architecture. In the former he would be compelled to devise expedients to conceal these irregularities; in the latter he has only to beautify them.
Seite 4 - It is not too much to say that the ruling theology of the Church of England in the latter half of the sixteenth and the beginning of the seventeenth century was...
Seite 117 - Undefined in its slope of roof, height of shaft, breadth of arch, or disposition of ground plan, it can shrink into a turret, expand into a hall, coil into a staircase, or spring into a spire, with undegraded grace and unexhausted energy...