Remarks on Secular & Domestic Architecture, Present & FutureJ. Murray, 1857 - 285 Seiten |
Im Buch
Ergebnisse 1-5 von 31
Seite 5
... timber buildings , such as barns , & c . , con- tinued , much the same ( though in a ruder form ) as in the middle ages , and even now an unsophisticated village carpenter or mason , if simply following his own uncorrupted instinct ...
... timber buildings , such as barns , & c . , con- tinued , much the same ( though in a ruder form ) as in the middle ages , and even now an unsophisticated village carpenter or mason , if simply following his own uncorrupted instinct ...
Seite 42
... timber , or of brick or stone . In the absence of a porch , a projecting penthouse , either of wood or stone , is often a convenience , and conduces much to picturesque effect ; or a porch may assume the form of a portico , carried only ...
... timber , or of brick or stone . In the absence of a porch , a projecting penthouse , either of wood or stone , is often a convenience , and conduces much to picturesque effect ; or a porch may assume the form of a portico , carried only ...
Seite 53
... timbers of the floors , so as to form the ceiling ( if it may be called so ) of the room below , the actual floor - boards being sometimes seen between the joists , or a board used as a panel , or possibly a surface of plastering being ...
... timbers of the floors , so as to form the ceiling ( if it may be called so ) of the room below , the actual floor - boards being sometimes seen between the joists , or a board used as a panel , or possibly a surface of plastering being ...
Seite 54
... timbers only are exposed , the joists being concealed either by panelling , plain board- ing , or perhaps by plain plastering . The third is where no constructive features are seen , but the whole surface is lined with panelling or ...
... timbers only are exposed , the joists being concealed either by panelling , plain board- ing , or perhaps by plain plastering . The third is where no constructive features are seen , but the whole surface is lined with panelling or ...
Seite 59
... timber construction which they en- crust ; -I do not believe a word of it . It is possible that the main beams may occasionally coincide with a leading architrave in the ceiling ; but all the rest , to say the least , is sham ; and to ...
... timber construction which they en- crust ; -I do not believe a word of it . It is possible that the main beams may occasionally coincide with a leading architrave in the ceiling ; but all the rest , to say the least , is sham ; and to ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
absurd admit ancient archi architects artistic beauty brick builders ceilings century character church class of building classic colour construction corbels cornices cottages Crystal Palace decoration degree demands domestic architecture Edition effect encaustic tiles fact feeling gabled GEORGE GILBERT SCOTT give Gothic archi Gothic architecture Gothic revival ground hall harmony idea imitation instance Italian Italian architecture Italy kind less lintel look mansions marble material medieval ment middle ages mode modern mouldings mullion mullioned window natural noble object ordinary ornamental ourselves painting palaces panels perhaps period plaster pointed arch pointed architecture position Post 8vo practical present principle racter render requirements revival roof rooms secular sham shew staircase stone street structures style suggest suited surface taste tecture thing timber tion towns tracery treated truth ture tympanum usually utilitarian architecture variety vernacular architecture wall window wood Woodcuts
Beliebte Passagen
Seite 117 - ... whenever it finds occasion for change in its form or purpose, it submits to it without the slightest sense of loss either to its unity or majesty, — subtle and flexible like a fiery serpent, but ever attentive to the voice of the charmer.
Seite 141 - Unto the upright there ariseth light in the darkness : he is gracious, and full of compassion, and righteous.
Seite 287 - Handbook of Architecture. Being a Concise and Popular Account of the Different Styles prevailing in all Ages and Countries in the World. With a Description of the most remarkable Buildings.
Seite 119 - I am quite assured that all the irregularities that are so beautiful in ancient architecture are the result of certain necessary difficulties, and were never purposely designed ; for to make a building inconvenient for the sake of obtaining irregularity would be scarcely less ridiculous than preparing working drawings for a new ruin. But all these inconsistencies have arisen from this great error, — the plans of buildings are designed to suit the elevation, instead of the elevation being made subservient...
Seite 118 - ... not masked or concealed under one monotonous front, but by their variety in form and outline increasing the effect of the building.
Seite 118 - An architect should exhibit his skill by turning the difficulties which occur in raising an elevation from a convenient plan into so many picturesque beauties; and this constitutes the great difference between the principles of classic and pointed domestic architecture. In the former he would be compelled to devise expedients to conceal these irregularities; in the latter he has only to beautify them.
Seite 4 - It is not too much to say that the ruling theology of the Church of England in the latter half of the sixteenth and the beginning of the seventeenth century was...
Seite 117 - Undefined in its slope of roof, height of shaft, breadth of arch, or disposition of ground plan, it can shrink into a turret, expand into a hall, coil into a staircase, or spring into a spire, with undegraded grace and unexhausted energy...