The TempestD.C. Heath & Company, 1916 - 166 Seiten |
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Seite iii
... special interest which could not conveniently be treated in the Introduction or the Notes . The text is based by the several Editors on that of the Globe edition . CONTENTS PAGE xxvi 1 85 INTRODUCTION DRAMATIS PERSONÆ THE TEMPEST 822.33.
... special interest which could not conveniently be treated in the Introduction or the Notes . The text is based by the several Editors on that of the Globe edition . CONTENTS PAGE xxvi 1 85 INTRODUCTION DRAMATIS PERSONÆ THE TEMPEST 822.33.
Seite iv
... TEMPEST NOTES APPENDIX A - The Preface and Prologue to Dryden and Davenant's The Tempest or the Enchanted Island • APPENDIX B Mrs. F. A. Kemble's Allegorical - - Interpretation of The Tempest . APPENDIX C Metre • GLOSSARY INDEX OF WORDS ...
... TEMPEST NOTES APPENDIX A - The Preface and Prologue to Dryden and Davenant's The Tempest or the Enchanted Island • APPENDIX B Mrs. F. A. Kemble's Allegorical - - Interpretation of The Tempest . APPENDIX C Metre • GLOSSARY INDEX OF WORDS ...
Seite v
... Tempest is one of the most vexed problems of Shakespearean criticism , and cannot be fixed with complete cer- tainty . The play was printed for the first time , as far as we know , in the collected edition of Shakespeare's works , 1623 ...
... Tempest is one of the most vexed problems of Shakespearean criticism , and cannot be fixed with complete cer- tainty . The play was printed for the first time , as far as we know , in the collected edition of Shakespeare's works , 1623 ...
Seite vi
... Tempest , which he accordingly places in the year between the publication of Florio's version and the production of Volpone . But the allusion is too vague to be thus pressed , nor does it gain much support from Elze's second argument ...
... Tempest , which he accordingly places in the year between the publication of Florio's version and the production of Volpone . But the allusion is too vague to be thus pressed , nor does it gain much support from Elze's second argument ...
Seite vii
... Tempest , 35 per cent . ( c ) Enjambements or run - on lines increase from 8 per cent in The Taming of the Shrew to 46 per cent in Cymbeline ; in The Tempest there are 41 per cent . ( d ) Speech endings not coincident with verse ...
... Tempest , 35 per cent . ( c ) Enjambements or run - on lines increase from 8 per cent in The Taming of the Shrew to 46 per cent in Cymbeline ; in The Tempest there are 41 per cent . ( d ) Speech endings not coincident with verse ...
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Häufige Begriffe und Wortgruppen
Abbott Alon Alonso Antonio Antony and Cleopatra Ariel beat Boatswain brave brother Cæsar Caliban camest Ceres charm command Cotgrave daughter devil doth Dowden drowned Duke of Milan dukedom enchanted Enter ARIEL Exeunt eyes father Ferdinand Ff reading fish Folio foot foul fresh give Gonzalo Hark hath hear island isle Julius Cæsar Juno King of Naples lord masque master meaning Midsummer Night's Dream Miranda monster nature never nymphs o'er passage phrase play plot plural pray prince princess Prithee probably Pros Prospero PROSPERO's cell queen quotes Re-enter ARIEL reference roar scene Sebastian sense Setebos Shake Shakespeare ship shore sing sleep speak spirit Stephano storm strange stress suggested sweet Sycorax syllable tell Tempest thee thine thing thou art thou hast thou shalt thought thyself tion Trin Trinculo verb vowel wind Winter's Tale word Wright