The TempestD.C. Heath & Company, 1916 - 166 Seiten |
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Seite 149
... stressed and five un- stressed syllables in rising rhythm ( i.e. with the stress on the second syllable ) without rhyme . This became the normal metrical form of the Elizabethan drama , e.g. For this ' , | be sure ' , | to - night ...
... stressed and five un- stressed syllables in rising rhythm ( i.e. with the stress on the second syllable ) without rhyme . This became the normal metrical form of the Elizabethan drama , e.g. For this ' , | be sure ' , | to - night ...
Seite 150
... stress by placing a syllable with a very slight natural accent in a normally stressed place . Put ' the wild ' wa'ters in this roar ' , allay ' them ( i . 2. 2 ) .1 And him ' he play'd ' it for` , he needs ' will be ' ( i . 2. 108 ) ...
... stress by placing a syllable with a very slight natural accent in a normally stressed place . Put ' the wild ' wa'ters in this roar ' , allay ' them ( i . 2. 2 ) .1 And him ' he play'd ' it for` , he needs ' will be ' ( i . 2. 108 ) ...
Seite 151
... stress . The fresh ' springs ' , brine ' | -pits ' , bar ' | ren place ' | and fer ' | tile ( i . 2. 338 ) . ( c ) Omission of syllables . An unstressed syllable is sometimes omitted . This happens especially after a marked pause , thus ...
... stress . The fresh ' springs ' , brine ' | -pits ' , bar ' | ren place ' | and fer ' | tile ( i . 2. 338 ) . ( c ) Omission of syllables . An unstressed syllable is sometimes omitted . This happens especially after a marked pause , thus ...
Seite 154
... stress is generally on the root - word , not the prefix : outdare ' , forgive ' , believe ' ; but be'lieve ( iii . 3. 24 ) , be'come ( v . 1. 19 ) . ( 2 ) Romance Words . In the M. E. period there was a struggle between the Romance and ...
... stress is generally on the root - word , not the prefix : outdare ' , forgive ' , believe ' ; but be'lieve ( iii . 3. 24 ) , be'come ( v . 1. 19 ) . ( 2 ) Romance Words . In the M. E. period there was a struggle between the Romance and ...
Seite 156
... stressed vowel is followed by an unstressed , the two may have the value of one syllable : e.g. being ( i . 2. 72 ) , deity ( ii . 1. 278 ) . c . Contraction of vowels sometimes accompanies the loss of an intervening consonant . Thus ...
... stressed vowel is followed by an unstressed , the two may have the value of one syllable : e.g. being ( i . 2. 72 ) , deity ( ii . 1. 278 ) . c . Contraction of vowels sometimes accompanies the loss of an intervening consonant . Thus ...
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Häufige Begriffe und Wortgruppen
Abbott Alon Alonso Antonio Antony and Cleopatra Ariel beat Boatswain brave brother Cæsar Caliban camest Ceres charm command Cotgrave daughter devil doth Dowden drowned Duke of Milan dukedom enchanted Enter ARIEL Exeunt eyes father Ferdinand Ff reading fish Folio follow foot foul fresh give Gonzalo Hark hath hear island isle Julius Cæsar Juno King of Naples lord masque master meaning Midsummer Night's Dream Miranda monster nature never nymphs o'er passage phrase play plot plural pray prince princess Prithee probably Pros Prospero PROSPERO'S cell queen quotes Re-enter ARIEL reference roar scene Sebastian sense Setebos Shake Shakespeare ship shore sing sleep speak spirit Stephano storm strange stress suggested sweet Sycorax syllable tell Tempest thee thine thing thou art thou hast thou shalt thought thyself tion Trin Trinculo verb vowel wind Winter's Tale word Wright دو