Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
Im Buch
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Seite 55
... British films . With his production of The Private Life of Henry VIII , in 1933 , England for the first time became a competitor in the international film market . Henry VIII , which is still considered the most profitable British film ...
... British films . With his production of The Private Life of Henry VIII , in 1933 , England for the first time became a competitor in the international film market . Henry VIII , which is still considered the most profitable British film ...
Seite 76
... British film industry as much as Korda's production of The Private Life of Henry VIII had stimulated it a decade earlier . In the 1940s , still suffering under the quota law , whereby a certain number of British films had to be made in ...
... British film industry as much as Korda's production of The Private Life of Henry VIII had stimulated it a decade earlier . In the 1940s , still suffering under the quota law , whereby a certain number of British films had to be made in ...
Seite 171
... British Movies from Austerity to Affluence . New York : Praeger , 1971. Lively , idiosyncratic discussion of British films covering the period of Olivier's film activity . ECKERT , CHARLES W. Focus on Shakespearean Films . Englewood ...
... British Movies from Austerity to Affluence . New York : Praeger , 1971. Lively , idiosyncratic discussion of British films covering the period of Olivier's film activity . ECKERT , CHARLES W. Focus on Shakespearean Films . Englewood ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accent acting actress adaptations Alexander Korda American Archie Rice audience British film camera career Cast Cathy character character's charm Chekhov cinematic classical actor close-ups comedy comic Coriolanus court critics Dance of Death Darcy directed director drama Elizabeth Entertainer film's Fire Over England Gielgud Hamilton Woman Hamlet Heathcliff Henry hero heroine Hollywood Hurstwood Iago interpretation Joan Plowright John Kenneth Tynan kind King Lady Laurence Olivier London looks Macbeth manner mask material minutes movie National Theatre never novel Old Vic Olivier plays Olivier's performance Ophelia Othello popular Prince Produced Ralph Richardson realistic rental Richard Richard III Roger Furse romantic Romeo and Juliet scene screenplay sense sexual Shakespeare Shakespearean films shot Showgirl Sir Laurence soliloquies space Spartacus speeches stage star story Strindberg's style technique Term of Trial theatrical Three Sisters tion title role tone Uncle Vanya United Artists visual Vivien Leigh voice wanted wife William Wuthering Heights Wyler York