Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
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Seite 69
... French soldiers . Olivier had a railroad track built on which he mounted his camera , and the effect of the camera moving forward at the same lunging pace as the horses is thrilling ( though , politically , it would have been more ...
... French soldiers . Olivier had a railroad track built on which he mounted his camera , and the effect of the camera moving forward at the same lunging pace as the horses is thrilling ( though , politically , it would have been more ...
Seite 70
... French when the arrogant French am- bassador taunts him with a presentation of tennis balls , thereby mocking him for his former way of life when he cavorted irresponsi- bly in the company of Falstaff . Cuts , then , are made to ...
... French when the arrogant French am- bassador taunts him with a presentation of tennis balls , thereby mocking him for his former way of life when he cavorted irresponsi- bly in the company of Falstaff . Cuts , then , are made to ...
Seite 71
... French a scene that allows them some nobility : as the Duke of Burgundy laments his country's fate , the camera peers outside the arched windows of the French court to reveal a gray , denuded landscape . The parched countryside is ...
... French a scene that allows them some nobility : as the Duke of Burgundy laments his country's fate , the camera peers outside the arched windows of the French court to reveal a gray , denuded landscape . The parched countryside is ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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