Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
Im Buch
Ergebnisse 1-3 von 12
Seite 43
... Heathcliff as Brontë wrote him , and it tamed him , thereby limiting Olivier's possibilities . Enthusiastic for the first time about a film role , Olivier wanted to put on a lot of makeup for Heathcliff ; he wanted to play him in the ...
... Heathcliff as Brontë wrote him , and it tamed him , thereby limiting Olivier's possibilities . Enthusiastic for the first time about a film role , Olivier wanted to put on a lot of makeup for Heathcliff ; he wanted to play him in the ...
Seite 44
... Heathcliff for his unmannerliness , and the film seems to suggest that if only he had been as inclined as Cathy to ... Heathcliff to mythic heights and gives their passion a universal significance . Further , omitting the children ...
... Heathcliff for his unmannerliness , and the film seems to suggest that if only he had been as inclined as Cathy to ... Heathcliff to mythic heights and gives their passion a universal significance . Further , omitting the children ...
Seite 45
... Heathcliff , a man eaten away by years of bitterness ; and in these first moments Olivier plays the maddened character in a way that suggests the Heathcliff that broods over the second part of the novel . His interpretation in the ...
... Heathcliff , a man eaten away by years of bitterness ; and in these first moments Olivier plays the maddened character in a way that suggests the Heathcliff that broods over the second part of the novel . His interpretation in the ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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accent acting actress adaptations Alexander Korda American Archie Rice audience British film camera career Cast Cathy character character's charm Chekhov cinematic classical actor close-ups comedy comic Coriolanus court critics Dance of Death Darcy directed director drama Elizabeth Entertainer film's Fire Over England Gielgud Hamilton Woman Hamlet Heathcliff Henry hero heroine Hollywood Hurstwood Iago interpretation Joan Plowright John Kenneth Tynan kind King Lady Laurence Olivier London looks Macbeth manner mask material minutes movie National Theatre never novel Old Vic Olivier plays Olivier's performance Ophelia Othello popular Prince Produced Ralph Richardson realistic rental Richard Richard III Roger Furse romantic Romeo and Juliet scene screenplay sense sexual Shakespeare Shakespearean films shot Showgirl Sir Laurence soliloquies space Spartacus speeches stage star story Strindberg's style technique Term of Trial theatrical Three Sisters tion title role tone Uncle Vanya United Artists visual Vivien Leigh voice wanted wife William Wuthering Heights Wyler York