Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
Im Buch
Ergebnisse 1-3 von 22
Seite 81
... action as Hamlet or Ophelia or the Ghost sees it , but primarily the camera presents an outside view of the drama , that of an observer searching the castle for clues and expla- nations . The almost constantly traveling camera provides ...
... action as Hamlet or Ophelia or the Ghost sees it , but primarily the camera presents an outside view of the drama , that of an observer searching the castle for clues and expla- nations . The almost constantly traveling camera provides ...
Seite 112
... action is set against antinaturalistic backgrounds that are clearly , and without apology , stage sets . In his three adaptations , Olivier had never denied or tried to conceal the theatrical derivation of his material that would have ...
... action is set against antinaturalistic backgrounds that are clearly , and without apology , stage sets . In his three adaptations , Olivier had never denied or tried to conceal the theatrical derivation of his material that would have ...
Seite 141
... action , the scriptwriters actually improved on Shaw . The Devil's Disciple is usually classed along with Hollywood's other failed attempts to capture the Shavian spirit , and when it was re- leased in 1959 , only Olivier was spared ...
... action , the scriptwriters actually improved on Shaw . The Devil's Disciple is usually classed along with Hollywood's other failed attempts to capture the Shavian spirit , and when it was re- leased in 1959 , only Olivier was spared ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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