Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
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Seite 47
... sense of indebtedness he felt for his film mentor . Wyler turned down the offer because he felt that he didn't know enough about Shakespeare , and at the same time he encouraged Olivier to go ahead with the project because he was ...
... sense of indebtedness he felt for his film mentor . Wyler turned down the offer because he felt that he didn't know enough about Shakespeare , and at the same time he encouraged Olivier to go ahead with the project because he was ...
Seite 62
... sense of how to construct a film . To assist Reinhardt , Warner Brothers even hired William Dieterle , one of its contract directors . Reinhardt came to the film with a legendary reputation as a director of stage spectacles in which his ...
... sense of how to construct a film . To assist Reinhardt , Warner Brothers even hired William Dieterle , one of its contract directors . Reinhardt came to the film with a legendary reputation as a director of stage spectacles in which his ...
Seite 112
... sense of wholeness of Oliver's great adaptations . In the films of Uncle Vanya , Othello , and The Dance of Death , the action is set against antinaturalistic backgrounds that are clearly , and without apology , stage sets . In his ...
... sense of wholeness of Oliver's great adaptations . In the films of Uncle Vanya , Othello , and The Dance of Death , the action is set against antinaturalistic backgrounds that are clearly , and without apology , stage sets . In his ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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