Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
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Seite 33
... star material that depended solely on presence or charm . As in his theater work , he tried to disguise himself beneath the mask of the character he was playing . He did not want film audiences to identify him as a “ personality , " and ...
... star material that depended solely on presence or charm . As in his theater work , he tried to disguise himself beneath the mask of the character he was playing . He did not want film audiences to identify him as a “ personality , " and ...
Seite 42
... star , and he could have had a glamor- ous film career . Because , however , he chose the challenge of great classical roles rather than an easy success that traded on his appear- ance and manner , Olivier's tenure as a full - fledged ...
... star , and he could have had a glamor- ous film career . Because , however , he chose the challenge of great classical roles rather than an easy success that traded on his appear- ance and manner , Olivier's tenure as a full - fledged ...
Seite 151
... star turns nor did he believe that he had been distracted by other commitments from devoting his primary attention to the company . He had , after all , played the small roles of Hotspur , Shallow , and the Button Moulder ( in Ibsen's ...
... star turns nor did he believe that he had been distracted by other commitments from devoting his primary attention to the company . He had , after all , played the small roles of Hotspur , Shallow , and the Button Moulder ( in Ibsen's ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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