Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
Im Buch
Ergebnisse 1-3 von 26
Seite 31
... style , wanted desperately not to be thought of as old - fashioned , and during his regime at the National he was frequently accused of being too susceptible to current theatrical trends . Olivier , then , has always used his ...
... style , wanted desperately not to be thought of as old - fashioned , and during his regime at the National he was frequently accused of being too susceptible to current theatrical trends . Olivier , then , has always used his ...
Seite 68
... style from the documen- tarylike texture of the opening to the airy , fanciful ambiance of the scenes preceding and ... styles enhances the play . As in his two following Shakespearean adaptations , Oliver wanted to make the material ...
... style from the documen- tarylike texture of the opening to the airy , fanciful ambiance of the scenes preceding and ... styles enhances the play . As in his two following Shakespearean adaptations , Oliver wanted to make the material ...
Seite 142
... style offer a decided contrast to Olivier ; and in insisting on the difference between the American movie actors and the celebrated English man of the theater , the film highlights the play's dialectic in a thoroughly agreeable way ...
... style offer a decided contrast to Olivier ; and in insisting on the difference between the American movie actors and the celebrated English man of the theater , the film highlights the play's dialectic in a thoroughly agreeable way ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accent acting actress adaptations Alexander Korda American Archie Rice audience British film camera career Cast Cathy character character's charm Chekhov cinematic classical actor close-ups comedy comic Coriolanus court critics Dance of Death Darcy directed director drama Elizabeth Entertainer film's Fire Over England Gielgud Hamilton Woman Hamlet Heathcliff Henry hero heroine Hollywood Hurstwood Iago interpretation Joan Plowright John Kenneth Tynan kind King Lady Laurence Olivier London looks Macbeth manner mask material minutes movie National Theatre never novel Old Vic Olivier plays Olivier's performance Ophelia Othello popular Prince Produced Ralph Richardson realistic rental Richard Richard III Roger Furse romantic Romeo and Juliet scene screenplay sense sexual Shakespeare Shakespearean films shot Showgirl Sir Laurence soliloquies space Spartacus speeches stage star story Strindberg's style technique Term of Trial theatrical Three Sisters tion title role tone Uncle Vanya United Artists visual Vivien Leigh voice wanted wife William Wuthering Heights Wyler York