Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
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Seite 24
... successful production until Noel Coward signed him for the thankless second - man role in Pri- vate Lives ( 1930 ) ... success of his own in popular theater when he played the character modeled on John Barrymore in The Royal Family ...
... successful production until Noel Coward signed him for the thankless second - man role in Pri- vate Lives ( 1930 ) ... success of his own in popular theater when he played the character modeled on John Barrymore in The Royal Family ...
Seite 42
... success in the movies , and it gave him the kind of acclaim that he had sought when he tried out for the ill - fated Beau Geste a decade earlier . For the first time , he looked comfortable on film ; the sensuality and emotional power ...
... success in the movies , and it gave him the kind of acclaim that he had sought when he tried out for the ill - fated Beau Geste a decade earlier . For the first time , he looked comfortable on film ; the sensuality and emotional power ...
Seite 61
... success as a pilot , and he spent most of his time in routine bureaucratic assignments . He performed excerpts from Shakespeare on radio , and on one of these broadcasts he read the stirring , patriotic speeches from Henry V. An ...
... success as a pilot , and he spent most of his time in routine bureaucratic assignments . He performed excerpts from Shakespeare on radio , and on one of these broadcasts he read the stirring , patriotic speeches from Henry V. An ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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accent acting actress adaptations Alexander Korda American Archie Rice audience British film camera career Cast Cathy character character's charm Chekhov cinematic classical actor close-ups comedy comic Coriolanus court critics Dance of Death Darcy directed director drama Elizabeth Entertainer film's Fire Over England Gielgud Hamilton Woman Hamlet Heathcliff Henry hero heroine Hollywood Hurstwood Iago interpretation Joan Plowright John Kenneth Tynan kind King Lady Laurence Olivier London looks Macbeth manner mask material minutes movie National Theatre never novel Old Vic Olivier plays Olivier's performance Ophelia Othello popular Prince Produced Ralph Richardson realistic rental Richard Richard III Roger Furse romantic Romeo and Juliet scene screenplay sense sexual Shakespeare Shakespearean films shot Showgirl Sir Laurence soliloquies space Spartacus speeches stage star story Strindberg's style technique Term of Trial theatrical Three Sisters tion title role tone Uncle Vanya United Artists visual Vivien Leigh voice wanted wife William Wuthering Heights Wyler York