Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
Im Buch
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Seite 80
... theatrical spotlight . As Roger Furse has written , “ The actors and the lighting are the only means of composi- tion within the setting . " One of the most effective examples of the essentially theatrical and expressionistic ...
... theatrical spotlight . As Roger Furse has written , “ The actors and the lighting are the only means of composi- tion within the setting . " One of the most effective examples of the essentially theatrical and expressionistic ...
Seite 112
... theatrical space and film space . [ Theatrical space , he suggests , is closed off from the world outside the theater and separated by foot- lights from the audience . Space on a stage is precisely delimited , contained by the ...
... theatrical space and film space . [ Theatrical space , he suggests , is closed off from the world outside the theater and separated by foot- lights from the audience . Space on a stage is precisely delimited , contained by the ...
Seite 117
... theatrical confinement , when it ventures out into the " real " world , the picture is suspended un- comfortably in an undefined space between theatrical convention and cinematic realism . Despite its extraordinary casting , The Prince ...
... theatrical confinement , when it ventures out into the " real " world , the picture is suspended un- comfortably in an undefined space between theatrical convention and cinematic realism . Despite its extraordinary casting , The Prince ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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