Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
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Seite 68
... visual styles enhances the play . As in his two following Shakespearean adaptations , Oliver wanted to make the material accessible to gen- eral audiences , and his brightly colored sets and playful blend of styles may seem like so many ...
... visual styles enhances the play . As in his two following Shakespearean adaptations , Oliver wanted to make the material accessible to gen- eral audiences , and his brightly colored sets and playful blend of styles may seem like so many ...
Seite 80
... visual impact . More conventional in its design than the earlier film , Hamlet still makes a bold visual impres- sion . In terms of its decor and its chiaroscuro , the film is blatantly theatrical , but , as in Henry , Olivier's use of ...
... visual impact . More conventional in its design than the earlier film , Hamlet still makes a bold visual impres- sion . In terms of its decor and its chiaroscuro , the film is blatantly theatrical , but , as in Henry , Olivier's use of ...
Seite 100
... visual style . The strained visual transitions which mar the film represent Olivier's attempts to cover up the many cuts he was forced to make . The job of shaving the play to an acceptable length , and of making the historical details ...
... visual style . The strained visual transitions which mar the film represent Olivier's attempts to cover up the many cuts he was forced to make . The job of shaving the play to an acceptable length , and of making the historical details ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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