Laurence OlivierTwayne Publishers, 1979 - 190 Seiten |
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Seite 57
... Woman was made , then , as a morale - booster for the English . Given the upbeat , patriotic concept , the Oliviers were required to play romanticized versions of their historical characters . The film's official function - its celebra ...
... Woman was made , then , as a morale - booster for the English . Given the upbeat , patriotic concept , the Oliviers were required to play romanticized versions of their historical characters . The film's official function - its celebra ...
Seite 69
... fragile and almost childlike manner , and the king and his advisers are played , for the most part , as buffoons . Like Fire Over England and That Hamilton Woman , Henry V was made to bolster English morale during a period of national.
... fragile and almost childlike manner , and the king and his advisers are played , for the most part , as buffoons . Like Fire Over England and That Hamilton Woman , Henry V was made to bolster English morale during a period of national.
Seite 160
... woman by his energy and aura of power . In moving from middle to old age , Olivier changes the way he uses his body without resorting to caricature . He is not as successful vocally , however . He has made a characteristically ...
... woman by his energy and aura of power . In moving from middle to old age , Olivier changes the way he uses his body without resorting to caricature . He is not as successful vocally , however . He has made a characteristically ...
Inhalt
About the Author | 6 |
A Life in the Theater | 19 |
Early Films | 37 |
Urheberrecht | |
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accent acting actress adaptations Alexander Korda American Archie Rice audience British film camera career Cast Cathy character character's charm Chekhov cinematic classical actor close-ups comedy comic Coriolanus court critics Dance of Death Darcy directed director drama Elizabeth Entertainer film's Fire Over England Gielgud Hamilton Woman Hamlet Heathcliff Henry hero heroine Hollywood Hurstwood Iago interpretation Joan Plowright John Kenneth Tynan kind King Lady Laurence Olivier London looks Macbeth manner mask material minutes movie National Theatre never novel Old Vic Olivier plays Olivier's performance Ophelia Othello popular Prince Produced Ralph Richardson realistic rental Richard Richard III Roger Furse romantic Romeo and Juliet scene screenplay sense sexual Shakespeare Shakespearean films shot Showgirl Sir Laurence soliloquies space Spartacus speeches stage star story Strindberg's style technique Term of Trial theatrical Three Sisters tion title role tone Uncle Vanya United Artists visual Vivien Leigh voice wanted wife William Wuthering Heights Wyler York