Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 18
... Lear is in fact com- manding her to use language destructively ; and Goneril and Regan , in saying something , have exercised a form of language — character- ized by Cordelia as " that glib and oily art / To speak and purpose not ...
... Lear is in fact com- manding her to use language destructively ; and Goneril and Regan , in saying something , have exercised a form of language — character- ized by Cordelia as " that glib and oily art / To speak and purpose not ...
Seite 19
... Lear , as king , presides . This desire to level and thereby collapse value leads Lear to quantify and objectify relationships which formerly were of intrinsic worth . Thus Cordelia , who like Albany is a favorite , is forced to regain ...
... Lear , as king , presides . This desire to level and thereby collapse value leads Lear to quantify and objectify relationships which formerly were of intrinsic worth . Thus Cordelia , who like Albany is a favorite , is forced to regain ...
Seite 20
... Lear a speech ( I.iv.117-27 ) which enigmatically alludes to the need always to pre- serve something , lest you become nothing . Lear replies that the speech is " nothing , " and the Fool responds : Then ' tis like the breath of an ...
... Lear a speech ( I.iv.117-27 ) which enigmatically alludes to the need always to pre- serve something , lest you become nothing . Lear replies that the speech is " nothing , " and the Fool responds : Then ' tis like the breath of an ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey