Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
Im Buch
Ergebnisse 1-3 von 17
Seite 69
... audience's experience of the play and the dramatic ex- pectations that Shakespeare initially builds up but subsequently un- dermines . This level of contention , which is most visible in the statue scene of V.iii , seems designed to ...
... audience's experience of the play and the dramatic ex- pectations that Shakespeare initially builds up but subsequently un- dermines . This level of contention , which is most visible in the statue scene of V.iii , seems designed to ...
Seite 76
... audience , that a solu- tion will emerge which will answer to the oracle's condition that " the King shall live without ... audience's limited abilities to see a way out , devolves from the compressed , short - run view of time that is ...
... audience , that a solu- tion will emerge which will answer to the oracle's condition that " the King shall live without ... audience's limited abilities to see a way out , devolves from the compressed , short - run view of time that is ...
Seite 92
... audience's de- pendence on rational explanations , is best represented by the statue scene in V.iii . In a sense , this scene is the high point of Shakespear- ean romance , if we understand " high point " as a metaphor for a peak moment ...
... audience's de- pendence on rational explanations , is best represented by the statue scene in V.iii . In a sense , this scene is the high point of Shakespear- ean romance , if we understand " high point " as a metaphor for a peak moment ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey