Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 76
... audience , that a solu- tion will emerge which will answer to the oracle's condition that " the King shall live without an heir , if that which is lost be not found " ( III.ii. 134-36 ) . The play's tragic action has spent itself , but ...
... audience , that a solu- tion will emerge which will answer to the oracle's condition that " the King shall live without an heir , if that which is lost be not found " ( III.ii. 134-36 ) . The play's tragic action has spent itself , but ...
Seite 77
... audience knows that Perdita is not the issue of Polixenes because the oracle has declared Hermione chaste . But like Antigonus , the audience has every reason to believe that Hermione is dead . Still , if these two matters are ...
... audience knows that Perdita is not the issue of Polixenes because the oracle has declared Hermione chaste . But like Antigonus , the audience has every reason to believe that Hermione is dead . Still , if these two matters are ...
Seite 97
... audience . By the end of the play only the audi- ence and Prospero share a complete knowledge of Prospero's story ; as an oracle it is only our knowledge that Prospero has rectified . This helps to explain why the audience is addressed ...
... audience . By the end of the play only the audi- ence and Prospero share a complete knowledge of Prospero's story ; as an oracle it is only our knowledge that Prospero has rectified . This helps to explain why the audience is addressed ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey