Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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... defines the magnitude , meaning , and value of life . When Wallace Stevens writes that " death is the mother of beauty , " or Emily Dickinson says that " after great pain a formal feeling comes , " they are both suggesting the essence ...
... defines the magnitude , meaning , and value of life . When Wallace Stevens writes that " death is the mother of beauty , " or Emily Dickinson says that " after great pain a formal feeling comes , " they are both suggesting the essence ...
Seite 14
... defines loss and the cessa- tion of growth ; in the other case , lack of possession defines gain and future growth . This pendulum swing from the tragic to the nontragic is pre- cisely expressed in the witches ' answer to Banquo which ...
... defines loss and the cessa- tion of growth ; in the other case , lack of possession defines gain and future growth . This pendulum swing from the tragic to the nontragic is pre- cisely expressed in the witches ' answer to Banquo which ...
Seite 26
... defines time exclusively in terms of An- tony's absence and presence ; thus she takes mandragora while An- tony is away so that she " might sleep out this great gap of time / My Antony is away " ( I.v.5-6 ) . She also defines her own ...
... defines time exclusively in terms of An- tony's absence and presence ; thus she takes mandragora while An- tony is away so that she " might sleep out this great gap of time / My Antony is away " ( I.v.5-6 ) . She also defines her own ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey