Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 28
... expectations . Hearing of Antony's death , Caesar tragically exclaims : The breaking of so great a thing should make A greater crack . The round world Should have shook lions into civil streets , And citizens to their dens . The death ...
... expectations . Hearing of Antony's death , Caesar tragically exclaims : The breaking of so great a thing should make A greater crack . The round world Should have shook lions into civil streets , And citizens to their dens . The death ...
Seite 59
... expectation of divinity . In fact , a case could be made that the characters never move beyond appearance and mortal- ity , for there is no central consciousness or awareness that even- tually illumines or resolves the play . We have ...
... expectation of divinity . In fact , a case could be made that the characters never move beyond appearance and mortal- ity , for there is no central consciousness or awareness that even- tually illumines or resolves the play . We have ...
Seite 60
... expectation and experience . Un- like the characters in Pericles , who move from analogy to identity , the characters in Cymbeline remain steadfastly locked into an analog- ical awareness , trapped , that is , in a set of expectations ...
... expectation and experience . Un- like the characters in Pericles , who move from analogy to identity , the characters in Cymbeline remain steadfastly locked into an analog- ical awareness , trapped , that is , in a set of expectations ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey