Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10University Press of Kentucky, 1981 - 150 Seiten In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life. |
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Seite 20
... kind of bastard : " Thou hast par'd thy wit o ' both sides , and left nothing i ' th ' middle . . . now thou art an O without a figure . I am better than thou art now , I am a Fool , thou art nothing " ( 187-88 , 192-94 ) . The Fool ...
... kind of bastard : " Thou hast par'd thy wit o ' both sides , and left nothing i ' th ' middle . . . now thou art an O without a figure . I am better than thou art now , I am a Fool , thou art nothing " ( 187-88 , 192-94 ) . The Fool ...
Seite 96
... kind of psychodrama with the characters and events of the play acting out facets of Prospero's mind . At one point in Act IV , for instance , Prospero tells Ferdinand that the masque has been performed by " Spirits , which by mine art ...
... kind of psychodrama with the characters and events of the play acting out facets of Prospero's mind . At one point in Act IV , for instance , Prospero tells Ferdinand that the masque has been performed by " Spirits , which by mine art ...
Seite 113
... kind , that relish all as sharply Passion as they , be kindlier mov'd than thou art ? Though with their high wrongs I am strook to th ' quick , Yet with my nobler reason , ' gainst my fury Do I take part . The rarer action is In virtue ...
... kind , that relish all as sharply Passion as they , be kindlier mov'd than thou art ? Though with their high wrongs I am strook to th ' quick , Yet with my nobler reason , ' gainst my fury Do I take part . The rarer action is In virtue ...
Inhalt
Tragedy and the Intimations of Romance 12 | 12 |
Pericles and the Conventions of Romance | 34 |
Cymbeline and the Parody of Romance 49 | 49 |
Urheberrecht | |
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Andere Ausgaben - Alle anzeigen
Beyond Tragedy: Structure & Experience in Shakespeare's Romances, Band 10 Robert W. Uphaus Eingeschränkte Leseprobe - 1981 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2014 |
Beyond Tragedy: Structure and Experience in Shakespeare's Romances Robert W. Uphaus Eingeschränkte Leseprobe - 2021 |
Häufige Begriffe und Wortgruppen
absorption action Antony appears argues associated attempts audience audience's awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance expresses fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita Pericles play play's plot Posthumus present Press prior Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey